Rock Art

I’ve just emerged from a seasonal sabbatical in the desert. As usual, we did a lot of rock climbing. The climbing out there is always good – but we won’t linger on that here.

One of the more fascinating aspects of the deserts of the American southwest is the cultural heritage. Artifacts and rock art from a number of Native American cultures are visible here. These things aren’t in a museum or on a heavily-trafficked tourist trail: for the most part, they’re just sitting in the desert, scratched on the side of soft sandstone walls or sitting deep within remote canyons.

There is a special feeling I get when I walk up to these sites. I am not a religious person, but from the first time I saw ancient petroglyphs scrawled on a wall, I felt a spiritual presence. There is no other word for it, and it’s a feeling I still get at many of these sites.

Primitive pictures carved into dark sandstone. Recoghnizeable figures include a person, a Kokopelli, handprints, and depictions of antelope or similar animals. There are also abstract shapes, including a triangle and a snake-like squiggle.

Andrew Gulliford, in his book “Bears Ears: Landscape of Refuge and Resistance”, writes:

“In Navajo belief, a dead person’s spirit may continue to reside where that person had lived and died. Their chindi or spirit may be lonely and seek to haunt or terrorize visitors.”

“Bears Ears: Landscape of Refuge and Resistance”, 2022, Andrew Gulliford, page 103

I don’t feel a malevolence, but I do feel a presence. I encourage you to visit yourself — maybe you will feel it too.

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Castleton Tower — North Chimney

Rock climbing is going through some changes these days, with the explosive rise of indoor climbing gyms, joining the Olympics as a competition sport, and the popularity of bouldering. It’s easy to be confused when someone tells you they’re a ‘climber’ — this could entail any number of different activities.

At its most basic, climbing involves using gymnastic ability to reach places generally considered inaccessible by humans. And there is nothing that fits this definition better than a desert tower.

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The Last Good Day

“There’s no way of knowing that your last good day is Your Last Good Day. At the time, it is just another good day.”

— John Green, The Fault in Our Stars

You could feel it coming.

As the Coronavirus crisis was mounting in the US, we were in Southeastern Utah, near Moab, rock climbing the impressive desert towers that dot the area.

My climbing partner was a Swedish woman, Anna, a full-time climber who lived on the road. A “dirtbag”, we say in the climbing community. Without a permanent home, remote desert was about the most socially-distanced she could be.

I had a home; but amidst the mounting anxiety, I’ll admit: I wanted to escape. Lockdowns had not yet begun in the USA. But I read the news everyday. Italy closed. France closed. That omnipresent graph, always growing. It was coming.

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An Almost-Disastrous Climbing Trip to Indian Creek

Indian Creek Creative Writing Essays

“There’s no cell service at the Creek.”

Jake’s garbled voice came through Meg’s car speakers. We were testing the ranges of civilization, on I-70 out of Colorado. Red, scrubby desert stretched for miles all around us.

“The only way to communicate at the Creek is by posting a note on the message boards,” the voice on the phone said. “We’ll meet you there tomorrow. Good luck.”

As we cruised through Moab, headed South, I sent the last messages I would send for three days. They bounced up from the Utah desert, hit a satellite, and then redirected across the Atlantic Ocean, to Italy.

We’ll be out of touch for a few days, I said. Let’s use this time to think about things.

Please be careful and come back in one piece? The response came. Otherwise all this pondering will be pointless.

Sure, I said, and the car continued on.

Within seconds: no signal.

Tomorrow would be the first day in four months, or maybe more, that this woman I and would not talk.

We drove on, and for there first time in months, I put my phone aside, my mind at ease.

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